Saltaire Makers Fair

I've just returned from a wonderful weekend at Saltaire Maker's Fair and am feeling humbled and incredibly lucky. Such a beautiful location, in Victoria Hall, part of the world heritage Saltaire Village, built by the visionary Titus Salt to house workers from Salt's Mill. Architecturally magnificent, the hall is a pocket of quiet splendour, with huge windows illuminating the space, it felt like a real treat to be part of such a special event.

I met the loveliest people, so generous with praise and insightful comments on my jewellery and display, people really took time to look and talk to me about my pieces. I was dazzled by the number of people who knew my work, recognising it after seeing it elsewhere or had bought pieces from galleries. I was also fortunate to meet people who follow my blog and Facebook page, and I even had a nudge from a very lovely lady who reminded me I haven't posted anything on here for a while! Posting things online can seem very remote and detached so it was heartwarming to think people do actually follow what I write.

The other lovely thing was the number of people who asked if I deliver workshops or teach classes, there seems to be a lot of people keen to learn making techniques. I do teach, I taught adult and community classes in Leeds before moving to Manchester, and have been teaching in a Sixth Form college for around 12 years. I believe passionately in sharing traditional craft skills, there is such value in time spent making, using your own hands and being absorbed in focused activity. I would love to look towards teaching adults again, there is a wonderful exchange in working with people who enjoy learning or who already make using other processes, and I find I learn as much from them as they do from me.

I used the natural objects that adorn my home studio and inspire my work as part of my display.  It was rewarding to hear people make connections between the shapes and patterns in the seed pods, acorn cups and lichen twigs, and the details they could see in my jewellery. People also shared valuable botanical knowledge about some of the more obscure seed pods I have, which has made me eager to get out and about and learn more.

My other exciting news is that whilst I was at the fair I learnt that I have been selected to take part in the Christmas fair at The Whitworth Gallery in Manchester, another award winning architectural splendour, I can't wait! Saturday 5th December 2015, I'll see you there!

Rusty circles

I've always enjoyed the effects of weathering and seeing the impact of the elements over time. I find coastlines endlessly inspiring, the ceaseless erosion by waves, wind and salty air on wood, stone and metal.

I am mesmerised by patination and rust and have been exploring natural rust colours with rust dying.

I love the ginger tones that rusty iron creates and have been using similar shapes that I use in my jewellery to explore colour and pattern.

These experimental samples include iron wire, handmade paper, cotton, linen, muslin, hand stitch and burning to create holes and more natural colouration from the deep brown of the burnt edge.

In using copper in my jewellery I try to exploit the natural colouration from heat and exposure to the air, incorporating the warm peach tones, through to deep reds that copper takes on over time.

I can't resist playing with repeated shapes.

bangles

I was having a sort through some photographs of jewellery I have made over the years and thought I would share some images of bangles. All are irregular shaped and hammered with a slightly beaten texture.

The shapes are inspired by the repeated forms seen in moss, lichen and bubbles. I love using simple forms and adding complexity using repeats. The elements are all moveable, I enjoy the way they jingle a little and rotate around the bangle.

I like the contrast between copper and silver, especially the way the colour of the copper changes over time. It varies from soft peach to deep rusty red, and sometimes goes speckled which is my favourite.

This 'Blip Bangle' was one of only a few that I made, with irregular arches on both the inside and outside edges. Wearing a few at a time worked really well, I'm thinking I may make more. 
At the moment I am working on some new pieces for the British Craft Trade Fair, I try and launch a new range there every year. Perhaps I'll release a sneak preview on here when the pieces are all finished!

Fossil fascination

The repetition of shapes and textures seen in fossils is something I always come back to for ideas. The basement in Manchester Museum has some incredible ones on display.

Knowing that these have been dug from the earth and are millions of years old gives them the fascination of buried treasure to me; rare, precious and valuable like the gold and silver I use in my work. There's something magical and mesmerising about materials that were formed when the earth was young, only to be revealed through careful searching and cautious extraction. 

The dots and dashes have inspired me to explore experimental hammered indentations in metal, simple raised lumps formed with texturing and doming punches and distressed surfaces, altered with heat and abrasives. And as always, I love to draw them, as seen in my earlier sketchbook blog post.